{"id":2412,"date":"2025-05-02T00:08:18","date_gmt":"2025-05-02T00:08:18","guid":{"rendered":"https:\/\/revistaquiote.org\/?p=2412"},"modified":"2025-05-12T18:26:57","modified_gmt":"2025-05-12T18:26:57","slug":"la-ceiba-grafica","status":"publish","type":"post","link":"https:\/\/revistaquiote.org\/?p=2412","title":{"rendered":"LA CEIBA GR\u00c1FICA"},"content":{"rendered":"

[et_pb_section fb_built=\u00bb1″ _builder_version=\u00bb4.27.4″ _module_preset=\u00bbdefault\u00bb custom_padding=\u00bb3px|||||\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_row _builder_version=\u00bb4.27.4″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_column type=\u00bb4_4″ _builder_version=\u00bb4.27.4″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_text _builder_version=\u00bb4.27.4″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n

JONATHAN FARR<\/strong><\/p>\n

El a\u00f1o pasado viv\u00ed y trabaj\u00e9 en La Ceiba Gr\u00e1fica, en una residencia de intercambio por trabajo. La Ceiba es un colectivo de grabado ubicado en la exhacienda de La Orde\u00f1a, cerca de Coatepec, Veracruz. El edificio tiene talleres de tipos m\u00f3viles, xilograf\u00eda Moku-Hanga, grabado, lino y litograf\u00eda en piedra, as\u00ed como una f\u00e1brica de papel tradicional. Adem\u00e1s de trabajar cuatro horas al d\u00eda para el espacio, ayudando a administrar y mantener los talleres, trabaj\u00e9 en mi propio proyecto.<\/p>\n

[\/et_pb_text][et_pb_image src=\u00bbhttps:\/\/revistaquiote.org\/wp-content\/uploads\/2025\/04\/1-La-Orduna-Litografia.jpg\u00bb title_text=\u00bbLa Ordu\u00f1a\u00bb _builder_version=\u00bb4.27.4″ _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb||-3px|||\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_image][et_pb_text _builder_version=\u00bb4.27.4″ _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb-3px||-3px|||\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n

La Ordun\u0303a.<\/em> 2024. Litograf\u00eda, 55 cm x 43 cm.<\/span><\/p>\n

[\/et_pb_text][et_pb_text _builder_version=\u00bb4.27.4″ _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb||2px|||\u00bb custom_padding=\u00bb9px||9px|||\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n

Los dibujos que aqu\u00ed se presentan consisten en las vistas desde la azotea del lugar. Juzgar si un dibujo estaba terminado depend\u00eda de su representaci\u00f3n del espacio, la energ\u00eda de las marcas, si comunicaba una sensaci\u00f3n de la atm\u00f3sfera y la sensaci\u00f3n del pueblo, las colinas, la vegetaci\u00f3n y el clima.<\/p>\n

[\/et_pb_text][et_pb_image src=\u00bbhttps:\/\/revistaquiote.org\/wp-content\/uploads\/2025\/04\/2-Fandango-1-monotipo.jpg\u00bb title_text=\u00bbFandango1 \u00bb _builder_version=\u00bb4.27.4″ _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb8px||8px|||\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_image][et_pb_text _builder_version=\u00bb4.27.4″ _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb-7px|||||\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n

Fandango 1<\/em>. 2024. Monotipo, 30 cm x 40 cm.<\/span><\/p>\n

[\/et_pb_text][et_pb_image src=\u00bbhttps:\/\/revistaquiote.org\/wp-content\/uploads\/2025\/04\/3-Fandango-8-monotipo.jpg\u00bb title_text=\u00bbFandango8″ _builder_version=\u00bb4.27.4″ _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb||-3px|||\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_image][et_pb_text _builder_version=\u00bb4.27.4″ _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb||11px|||\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n

Fandango 8.<\/em> 2024. Monotipo, 30 cm x 40 cm.<\/span><\/p>\n

[\/et_pb_text][et_pb_text _builder_version=\u00bb4.27.4″ _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb||13px|||\u00bb custom_padding=\u00bb||2px|||\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n

Eleg\u00ed trabajar de noche para evitar mi percepci\u00f3n del detalle y crear im\u00e1genes donde las formas y la luz emergieran del negro. Durante el d\u00eda dej\u00e9 que la lluvia interviniera las obras, de manera que se romp\u00eda en cierta medida la ilusi\u00f3n de profundidad pict\u00f3rica y se llamaba la atenci\u00f3n sobre la superficie de la piedra, donde las gotas y los charcos registraban y fracturaban la imagen.<\/p>\n

[\/et_pb_text][et_pb_image src=\u00bbhttps:\/\/revistaquiote.org\/wp-content\/uploads\/2025\/04\/4-Fandango-9-monotipo.jpg\u00bb title_text=\u00bbFandango9″ _builder_version=\u00bb4.27.4″ _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb||-1px|||\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_image][et_pb_text _builder_version=\u00bb4.27.4″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n

Fandango 9<\/em>. 2024. Monotipo, 30 cm x 40 cm.<\/span><\/p>\n

[\/et_pb_text][et_pb_image src=\u00bbhttps:\/\/revistaquiote.org\/wp-content\/uploads\/2025\/04\/5-dibujo-9-carboncillo-sobre-papel.jpg\u00bb title_text=\u00bbdibujo 9″ _builder_version=\u00bb4.27.4″ _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb||0px|||\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_image][et_pb_text _builder_version=\u00bb4.27.4″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n

Dibujo 9.<\/em> 2024. Carboncillo sobre papel, 63 cm x 73 cm.<\/span><\/p>\n

[\/et_pb_text][et_pb_image src=\u00bbhttps:\/\/revistaquiote.org\/wp-content\/uploads\/2025\/04\/6-dibujo-14-conte-y-carboncillo-sobre-papel.jpg\u00bb title_text=\u00bbdibujo 14″ _builder_version=\u00bb4.27.4″ _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb||-3px|||\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_image][et_pb_text _builder_version=\u00bb4.27.4″ _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb7px|||||\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n

Dibujo 14.<\/em> 2024. Cont\u00e9 y carboncillo sobre papel, 63 cm x 73 cm.<\/span><\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"

JONATHAN FARR El a\u00f1o pasado viv\u00ed y trabaj\u00e9 en La Ceiba Gr\u00e1fica, en una residencia de intercambio por trabajo. La Ceiba es un colectivo de grabado ubicado en la exhacienda de La Orde\u00f1a, cerca de Coatepec, Veracruz. El edificio tiene talleres de tipos m\u00f3viles, xilograf\u00eda Moku-Hanga, grabado, lino y litograf\u00eda en piedra, as\u00ed como una […]<\/p>\n","protected":false},"author":12,"featured_media":2426,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[226],"tags":[43,184,15,26],"ppma_author":[81],"class_list":["post-2412","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-numero-cuatro","tag-arte","tag-grabados","tag-grafica","tag-revistaquiote"],"yoast_head":"\nLA CEIBA GR\u00c1FICA - REVISTA QUIOTE<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/revistaquiote.org\/?p=2412\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"LA CEIBA GR\u00c1FICA - REVISTA QUIOTE\" \/>\n<meta property=\"og:description\" content=\"JONATHAN FARR El a\u00f1o pasado viv\u00ed y trabaj\u00e9 en La Ceiba Gr\u00e1fica, en una residencia de intercambio por trabajo. La Ceiba es un colectivo de grabado ubicado en la exhacienda de La Orde\u00f1a, cerca de Coatepec, Veracruz. 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